![]() ![]() At 64 BPM, the 16th notes combined with the hammered on 32nd notes work extremely well with the longer sustained ones. It starts with a high bass solo which makes great use of the slow tempo of the song. However, among all these great parts, the bass line still manages to be the highlight of the song.ĭespite playing guitar on the track with Pink Floyd, Roger Waters sang while playing bass when performing this song solo later on. There are so many great things to say about “Pigs” The menacing keyboard intro, the lyrics and vocal line, and the instrumental part at 4:13 to name a few. This adds a lot of flavor to the bassline, and harmony to the song as a whole. On top of that, he also joins David Gilmore in playing the chromatic ascents and descents in the main riff. Here, Waters switches between the root and the octave at a quarter note pace to add drive to the song. The bass line in the following instrumental interlude is another highlight. On it, Waters moves freely around the fretboard and makes a smooth transition to playing octaves towards the end of it. It fits with the floaty vibe of the verse by combing long sustained notes with melodic fills. Then we get a verse groove that is just out of this world. As the solo progresses though, the line takes on a more melodic role, and can at times feel like a second solo instrument. It also has a bassline that adapts to and enhances all of the song’s vastly different parts.ĭuring the intro, the bass works as a smooth backdrop for the guitar solo. Not only is “Echoes” a prog-rock masterpiece. Thus, it is a great example of how creative songwriting can take a simple groove, and turn it into an impactful centerpiece. The feeling this song evokes would not have been possible without both of the basses. However, the doubling of it creates an effect that I have not heard anywhere else. The bassline itself is a fairly straightforward line. During it, the two bass tracks make the song sound claustrophobic with their echoing main groove. This is especially noticeable during the first half of the song. ![]() However, “One Of These Days” is a rare case of a song with two bass tracks. In order to not sound overly low-end heavy and muddy, few songs have more than one bass part. This also says a lot about how consistent Pink Floyd has been over multiple decades. As a result, there are some vastly different grooves on the list. The bass lines I picked out span from the band`s first to very last album. As a result, this band was a powerhouse when it came to writing basslines.įor this reason, I decided to make this list of the best Pink Floyd bass lines. ![]() This kept Pink Floyd`s low-end sound varied and adaptive. With that, his basslines were more focused on doing their job rather than being flashy.ĭavid Gilmour is also credited for playing bass on many of their recordings. This can in large part be attributed to Roger Water`s songwriting skills and his great understanding of how to serve the song. Despite their ambitious and complex sound, Pink Floyd’s bass lines always held their songs together. ![]()
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